The year so far hasn't been your typical, everyday, everyday year at the movies. Release dates have continued to change, with more than one major release moving to the more secure surroundings of 2023. The slate of major new releases is still a little (okay, a lot) thinner than typical. Even still, the aftermath of Covid hasn't prevented it from being a frequently entertaining and occasionally exhilarating six months so far.

There is much to celebrate, from award-winning films like Parallel Mothers and Licorice Pizza to virtuoso indie treasures like the British chef thriller Boiling Point to popcorn-perfect movies like RRR and Top Gun: Maverick. Here are our top picks for the year thus far.

The Best Movies of 2022

1. Turning Red

• Film

• Animation

Uncomfortably, until Chinese-Canadian director Domee Shi came along with this adorable creature story about a 13-year-old girl who transforms into a red panda when strong emotions come calling, no Pixar movie had ever been solo helmed by a female filmmaker. Although not the main section, it is based on her own upbringing and is laden with the real growing pangs of puberty. It's a shame that it went directly to Disney+ because the film's unexpectedly Godzilla-like ending would have looked incredible on a large screen.

2. Fire of Love

• Film

• Documentaries

This primal, breathtaking documentary travels to the extremes of the planet with two volcanologists, Maurice and Katia Krafft, to see their passion for these molten geological wonders and, more poignantly, for one another.

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It was a Sundance breakout smash at the beginning of the year and is narrated by indie doyenne Miranda July, but it has the sense of a piece of non-fiction filmmaking that will stand the test of time. With no hint of CGI, it presents us with the kind of breathtaking fiery abyss that most movies can only imagine.

3. RRR

The OTT epics made by Telugu director SS Rajamouli are just ridiculously entertaining, which is why he ranks so highly on our list of the 50 coolest directors in the world. And RRR, the third-highest grossing Indian movie of all time, may be the most entertaining of them all.

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The "Rs" stand for "rise, roar, and revolt," concepts that are explored in a Raj-era plot about British colonisation and a kidnapped child that sporadically emerges among all the crazy battle scenes, razzed-up dance routines, exploding trains, and tigers (there are a lot of tigers). It serves as the ideal introduction to Telugu action cinema's highs.

4. Cow

• Film

• Documentaries

In addition to being pure gold for pun fans, this doc by British independent filmmaker Andrea Arnold (American Honey) is boldly set entirely among a herd of dairy cows. On one level, it's just 90 minutes of narration-free, explanation-free, and manure-filled bovine activity. On another, it's a touching cycle-of-life assessment of a cow's life that tries to win your heart but manages to do so despite being far too unsentimental to do so.

5. Boiling Point

• Film

• Drama

Stephen Graham, demonstrating his versatility by shucking oysters like a pro, gives this fantastic one-take drama its twitchy, sweaty energy as a chef on the edge at a bustling London restaurant. It's pure nightmare fuel as a pitch for entering the hospitality sector. Everyone who watched it felt rinsed out like a kitchen faucet at the end of a dinner service since it was such an exciting event.

6. Bergman Island

• Film

• Drama

It takes guts to show up at the residence of one of the genuine titans of cinema and make a film that parodies his life and legacy, but Mia Hansen-romantic Lve's comedy set on Ingmar Bergman's island of Frö masterfully accomplishes the job. As they spar softly in their ostensible creative paradise, Vicky Krieps and Tim Roth portray two writers whose relationship appears to be going off the rails very imperceptibly. There are many astute insights made in this book, including ones about relationships and women's creative freedom. There is also a juicy, meta twist that will keep you on your toes.

7. Jackass Forever

• Film

• Comedy

A half-naked man hang-gliding into a cactus isn't typically included in movies that are hailed as heartfelt meditations on friendship, nostalgia, and growing older. But that's the special joy of this surprisingly magnificent sixth film from Johnny Knoxville, Steve-O, Chris Pontius, and the gang — a film that combines the adorably silly with the tenderly meaningful, while introducing a new generation of eager young pain-junkies to the pleasures of the Port-A-Potty and the human ramp. Mind you, even just watching it still hurts.

8. Prey

• Film

• Action and adventure

We did not see this Predator movie set in the past coming, which is appropriate for a film with a cloaking device at its core. The amount of new life that skilled director Dan Trachtenberg has managed to put into it amid all the gory, imaginative offings still came as a very nice surprise. Sure, the trailer looked sufficiently promising to remove awkward recollections of the last few entries in this creaking franchise.

Yes, it should have been made for the big screen rather than being released directly to Hulu, but at least it's watchable more than once, and with part-Sioux actress Amber Midthunder playing its ridiculously engaging action hero and that mandibled space bastard being once again frightfully frightening, it'll be on our favourites list for years to come.

9. Wheel of Fortune and Fantasy

• Film

• Drama

With the Oscar-nominated Drive My Car, Ryusuke Hamaguchi made his breakthrough with western audiences last year. His rapid-fire follow-up, a triptych of haphazardly related romance narratives, caused less controversy but is nevertheless deserving of the clamour. Three separate women, each with a deeper pain and confusion that leads them in emotionally risky areas, are seen through the intriguing trio of 30-plus minute vignettes. They combine to create a captivating piece of slow cinema.

10. Elvis

• Film

• Drama

The trailers made it look a little, well, hammy, but Baz Luhrmann’s ode to the King turns out to be a hip-shaking and hypnotic experience. Is it occasionally over-the-top? Yup. Are the maximalist visuals a lot to absorb over two-and-a-half hours? Sure. Does Tom Hanks’ waxy, fat-suited version of Colonel Parker seem to be in danger of melting from contact with the nearest bright light? That too. But for all its flaws, Elvis is an irresistible night at the pictures: a more-is-more collage of music, history and Presley pilgrimage that’s lit up by the spectacular Austin Butler.

11. A Hero

• Film

Asghar Farhadi, a sort of Iranian Ken Loach, is a master at incorporating complex morality tales within a larger social context. Another incisive look at life in a hierarchical, judgmental society is provided by this Cannes blockbuster. Ramin, the main character, is released from prison after being imprisoned for bankruptcy and finds 17 gold coins that his lover discovered as a chance for forgiveness.

Does he act morally or exploit the circumstance to gain prestige or money? The power of A Hero is in the strategies Farhadi employs to transform this straightforward moral conundrum into a nightmare Gordian knot that exposes a broken social order for what it is.

12. Belle

• Film

• Animation

In Mamoru Hosoda's stunning anime spoof of "Beauty and the Beast," "It" girls, mourning high students, and cyber dragons mix. The songs are catchy, the images are stunning, and the concepts—which explore life as a digital native and the elderly who clumsily try to guide Gen Zers through it—are brilliantly designed. Since being sacked from his position as director of Howl's Moving Castle, the Japanese animation master has come a long way.

13. Benediction

• Film

• Drama

In a biography that manages to be both heartbreakingly sad and PG Wodehouse-funny, Terence Davies gives Great War poet Siegfried Sassoon a moving, flawlessly staged treatment. While Jack Lowton steals the show as the younger version of the once-closeted gay writer who tries to find himself in the buzzing gadflies of London's post-war social scene, Peter Capaldi plays the writer in his elder, jaded years.

When Sassoon is arrogantly told that his poetry "has gone from the sublime to the detailed," the writing is bayonet sharp. Benediction is just more evidence of how masterful Davies' filmmaking is.